The Department of African American Studies faculty membership consists of three categories—primary, joint, and affiliate—and these classifications provide a framework for articulating the faculty members’ relationships, rights, and responsibilities to our intellectual community.  Collectively, the faculty provide a vibrant intellectual community through which we are able to deliver the curriculum and meet the department’s mission and learning objectives.

Primary faculty are members whose full tenure-lines reside within the Department of African American Studies, and whose primary teaching responsibilities are to the department.  Primary faculty members have the opportunity to have a joint or affiliate faculty status with other units (departments, programs, schools) that align well with the mission and intellectual interests of those units.

Joint faculty are members of other units (departments, programs, schools) who also hold an appointment (either courtesy or shared) in the Department of African American Studies.  Both shared and courtesy joint faculty typically teach courses within the department, and typically enjoy the governance privileges and responsibilities accorded to faculty whose primary appointment resides within the Department.

Affiliate faculty are members of other units (departments, programs, schools) whose research and/or teaching interests align well with the mission of the Department of African American Studies.  Both tenure-line and non-tenure line faculty constitute our affiliate and are important members of our intellectual community, and their courses often are cross-listed to help the department deliver its curriculum.

Primary Faculty

LaMonda Horton-Stallings, Ph.D. 


Professor of African American Studies

Dr. LaMonda Horton-Stallings received her Ph.D in English from Michigan State University. She is the author of three books: A Dirty South ManifestoSexual Resistance and Imagination in the New South (University of California Press, 2019); Funk the Erotic: Transaesthetics and Black Sexual Cultures (Univ. of Illinois Press, 2015); Mutha’ is Half a Word!: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture (Ohio State Univ. Press, 2007).

Funk the Erotic: Transaesthetics and Black Sexual Cultures received the Alan Bray Memorial Award from the MLA GL/Q Caucus, the 2016 Emily Toth Award for Best Single Work by One or More Authors in Women’s Studies from the Popular Culture Studies Association/American Culture Association (PCA/ACA), and it was a 2016 Finalist for the 28th Annual Lambda Literary Awards for LGBTQ Studies.

She is co-editor and contributing author to Black Sexual Economies: Race and Sex in a Culture of Capital (2019)andWord Hustle: Critical Essays and Reflections on the Works of Donald Goines (2011). She has also published essays in African American Review, South-Atlantic Quarterly, GLQ, Signs: Journal of Women in Culture and Society, the Journal of Bisexuality, Black Renaissance/Renaissance Noire, Black Camera, Obsidian III, Revista Canaria de Estudios Ingleses, CR: The New Centennial Rveview, Western Journal of Black Studies, Feminist Formations, MELUS, and numerous edited collections.

Contact Dr. Horton-Stallings

Anita Gonzalez, Ph.D. 
Professor of African American Studies

Dr. Anita Gonzalez is a professor of African American Studies and Performing Arts, and is co-founder and Research Professor of the Racial Justice Institute. She was recently Associate Dean for Faculty Affairs and a Professor of Theatre at the University of Michigan where she promoted interdisciplinary and intercultural performance initiatives. Her edited and authored books are Performance, Dance and Political Economy (Bloomsbury), Black Performance Theory (Duke), Afro-Mexico: Dancing Between Myth and Reality (U-Texas Press), and Jarocho’s Soul (Rowan Littlefield). She is co-series editor for the Dance in Dialogue series at Bloomsbury Press. Her essays about multicultural and international performance appear in several edited collections including Black Acting Methods (Luckett), The Community Performance Reader (Kuppers), Festive Devils (Riggio, Segura, and Vignola) and the Oxford Handbook of Dance and Theatre (George-Graves, 2015). She has published articles in the Radical History ReviewModern DramaPerformance Research International, and Dance Research Journal. She has completed three Senior Scholar Fulbright grants and been a resident artist/scholar at Rockefeller’s Bellagio Center in Italy, and the Warfield Center for African and African American Studies at the University of Texas. She was a Humanities Center Fellow at the University of Michigan during the 2017/18 academic year and is a recent recipient of the Shirley Verrett Award for outstanding teaching of performance.

Gonzalez extends the reach of her scholarship through public engagement. She created a massive open online course “Storytelling for Social Change” that has reached over 38,000 learners to date. A new open access course, “Black Performance as Social Protest” is under development for the FutureLearn digital platform. Her interdisciplinary performance projects include projection mapping of The Snark (new window) and The Living Lakes (new window) in the Duderstadt Center, developing a performance installation and lecture series titled “Conjuring the Caribbean,” leading a team to develop the interactive historical website 19thCenturyActs (new window), and founding Anishinaaabe Theatre Exchange (new window) in the Upper Peninsula of Michigan to engage Ojibwe communities in dialogue through theatrical performance. Gonzalez also directs, devises and writes theatrical works. Her innovative stagings of historical and cross-cultural experiences have appeared on PBS national television and at Lincoln Center Out-of-Doors, The Working Theatre, Puerto Rican Traveling Theatre, New York Live Arts, Tribeca Performing Arts Center, and other national and international venues. Her short libretto Courthouse Bells will be produced by Boston Opera Collaborative in 2021-22. Other musical writings include Zora on My Mind about Black women’s empowerment and entrepreneurship and Ybor City the Musical (new window) about Cuban unionism and racial division in 1918. Gonzalez is a member of the National Theatre Conference, Lincoln Center Director’s Lab, League of Professional Women in Theatre, the Players Club NYC, and the Dramatists Guild.


Robert J. Patterson, Ph.D. 
Professor of African American Studies

Dr. Robert J. Patterson is a professor of African American Studies and served as the inaugural chair of the Department of African American Studies at Georgetown University (2016-2019). He is the author of Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality (Rutgers University Press, 2019) and Exodus Politics: Civil Rights and Leadership in African American Literature and Culture (UVA Press, 2013), co-editor of The Psychic Hold of Slavery: Legacies in American Expressive Culture (Rutgers University Press, 2016), and editor of the Black Cultural Production After Civil Rights (University of Illinois Press, 2019). Currently, he is working on a book titled Black Equity, Black Equality: Reparation and Black Communities.

Dr. Patterson also has published articles on W.E.B. Dubois, Toni Morrison, African American Women’s writing in the 19th and 20th centuries, civil rights, Tyler Perry’s films, slavery’s legacies, the film 12 Years a Slave, and rhythm and blues music and culture. Some of his work appears in South Atlantic Quarterly, Black Camera: An International Film Journal, Religion and Literature, The Journal of Feminist Studies in Religion, The Cambridge Companion to African American Women’s Writing, The Cambridge Companion to Civil Rights Literature, and the Journal of Popular Music Studies. He co-guest edited a special edition of South Atlantic Quarterly, Black Literature, Black Leadership: New Boundaries, New Borders (112.2).

Dr. Patterson’s teaching interests and courses mirror his research projects and he has taught a range of courses that examine black cultural production, racial politics, and the legacies of slavery.

Dr. Patterson has worked with governmental agencies, school systems, and other organizations to develop solutions that increase diversity, cultivate inclusion, and provide equity of access and outcomes.  Dr. Patterson has collaborated with the Hartford Foundation for Public Giving to endow the Robert J. Patterson Scholarship Fund, which supports residents of Hartford, CT, who intend to pursue an undergraduate degree in African American Studies, social justice, the arts, or the humanities.

Contact Dr. Patterson

Dayo F. Gore, Ph.D.
Associate Professor of African American Studies

Dr. Dayo F. Gore is an associate professor of African American Studies at Georgetown University. Prior to joining the department, she was an Associate Professor in the Department of Ethnic Studies and the Critical Gender Studies program at the University of California, San Diego and Chair of the Department of Ethnic Studies and founding Director of the Black Studies Project at UCSD. Her research interests include black women’s intellectual history; 20th century U.S. political and cultural activism; African American and African Diasporic politics, and gender and sexuality studies. She earned a Ph.D. in History from New York University and has previously taught at the University of Massachusetts-Amherst. Dr. Gore is the author of Radicalism at the Crossroads: African American Women Activists in the Cold War which charts the political commitments and strategic leadership of a network of black women radicals operating within the U.S. left from the 1930s through the 1960s. She is also the editor (with Jeanne Theoharis and Komozi Woodard) of “Want to Start A Revolution?” Radical Women in the Black Freedom Struggle; co-editor with Sarah Haley and Prudence Cumberbatch of a special issue of Souls: A Critical Journal of Black Politics, Culture and Society, titled “Black Women Labor: Economics, Culture and Politics” (January–March 2016) and most recently contributed an article to the collection We Could Turn this Whole World Over: Black Women’s Internationalism in the Twentieth Century from University of Illinois Press (2018). Her work has been supported by the Schomburg Center for Research in Black Culture, the Charles Warren Center for Studies in American History at Harvard University and the Tamiment Library and Robert Wagner Labor Archives at New York University. Dr. Gore is currently working on a book length study of black women’s transnational travels and activism in the long twentieth century, forthcoming from Princeton University Press as part of its America in the World series.

Contact Dr. Gore


Zandria F. Robinson, Ph.D.
Associate Professor of African American Studies

Dr. Zandria F. Robinson is a writer and sociologist working at the intersections of race, gender, popular culture, and the U.S. South. A native Memphian and classically-trained violinist, Robinson earned the Bachelor of Arts in Literature and African American Studies and the Master of Arts in Sociology from the University of Memphis and the Doctor of Philosophy in Sociology from Northwestern University. Dr. Robinson’s first book, This Ain’t Chicago: Race, Class, and Regional Identity in the Post-Soul South (University of North Carolina Press, 2014) won the Eduardo Bonilla-Silva Outstanding Book Award from the Division of Racial and Ethnic Minorities of the Society for the Study of Social Problems. Her second monograph, Chocolate Cities: The Black Map of American Life (University of California Press, 2018), co-authored with long-time collaborator Marcus Anthony Hunter (UCLA), won the 2018 CHOICE Award for Outstanding Academic Title and the Robert E. Park Book Award from the Community and Urban Sociology Section of the American Sociological Association. Her next monograph, Soul Power: Race, Place, and the Battle for the Memphis Sound (University of North Carolina Press) examines race, culture, and neighborhood change in South Memphis, former home of the renowned soul music factory Stax Records.

Dr. Robinson’s teaching interests include Black feminist theory, Black popular culture, urban sociology, and Afro-futurism. She is President-Elect of the Association of Black Sociologists, a member of the editorial board of Southern Cultures, and a contributing editor at Oxford American. Her work has appeared in Issues in Race and Society, The New Encyclopedia of Southern Culture, the Annual Review of Sociology (with Marcus Anthony Hunter), Contexts, Rolling Stone, Scalawag, Hyperallergic, Believer, Oxford American, and The New York Times.

Contact Dr. Robinson


Marcus Board, Jr., Ph.D. 
Assistant Professor of African American Studies

Dr. Marcus Board is an assistant professor of African American Studies at Georgetown University. He earned his Ph.D. from the University of Chicago in the Department of Political Science, where he also earned an MA in 2011 and has a second MA in Social Sciences. Dr. Board earned his BA in Africana Studies and Political Science from the University of Maryland – Baltimore County (UMBC) in 2007.

His current research uses neoliberalism and political behavior to make epistemological interventions with respect to domination and resistance. Specifically, Dr. Board conducts interdisciplinary and mixed methodological analyses of political attitudes and behaviors, with a particular emphasis on variations across race, class, and gender. His current book project deconstructs mass political protest behavior – most notably the Baltimore Uprising – in an effort to understand how cross-cutting influences lead to these methods of resistance, but more importantly, how these influences also shape political agendas to simultaneously reinforce domination even in such acts of resistance. Dr. Board’s future research will continue to make justice and power related interventions pertaining to neoliberalism, capitalism, white supremacy and patriarchy – all while maintaining an emphasis on the ways cooptation can dominate in the absence of observable conflict.

Contact Dr. Board

Rosemary Ndubuizu, Ph.D. 
Assistant Professor of African American Studies

Dr. Rosemary Ndubuizu is an assistant professor of African American Studies at Georgetown University. An interdisciplinary scholar who studies how housing policies are shaped by race, gender, political economy, and ideology, her manuscript-in-progress historically and ethnographically traces how low-income black women have been affected by post-1970s changes in public and affordable housing policies and advocacy. Her research project also examines the contemporary landscape of affordable housing policy and politics to better understand why low-income black women remain vulnerable to eviction, displacement, and housing insecurity in cities like the District of Columbia. Additionally, her work presents the organizing challenges low-income black women tenant activists in D.C. face as they organize to combat the city’s reduction and privatization of affordable housing.

Dr. Ndubuizu’s teaching interests include social policy, post-civil rights black politics, the black radical tradition including black feminism, social movements, the political economy of non-profits, and women of color feminisms.

Originally from Inglewood, CA, Dr. Ndubuizu relocated to the Bay Area to complete her undergraduate studies at Stanford University. In 2006, she moved to D.C. and eventually became a community organizer with Organizing Neighborhood Equity DC, a D.C.-based community organization that organizes long-time Washingtonians of color to campaign for more local and federal investments in affordable housing and living-wage jobs. In 2017, she completed her graduate studies at Rutgers University in the Women’s and Gender Studies Department.

Contact Dr. Ndubuizu

Joint Faculty

Soyica Diggs Colbert, Ph.D. 
Idol Family Professor 
Professor, Departments of African American Studies and Performing Arts

Dr. Soyica Colbert is a Professor of African American and Theater and Performance Studies at Georgetown University. She is the author of The African American Theatrical Body: Reception, Performance and the Stage (Cambridge University Press, 2011) and Black Movements: Performance and Cultural Politics (Rutgers University Press, 2017). Colbert edited the Black Performance special issue of African American Review (2012) and co-edited The Psychic Hold of Slavery (Rutgers University Press, 2016). She is currently working on two forthcoming book projects, a monograph, Becoming Free: An Intellectual Biography of Lorraine Hansberry, and a co-edited collection, Race and Performance After Repetition. Colbert has published articles in American Theatre, African American Review, Theatre Survey, Modern Drama, Boundary 2South Atlantic Quarterly, Scholar and Feminist Online, and Theatre Topics and in the collections: Black Performance Theory, Contemporary African American Women Playwrights, and August Wilson: Completing the Cycle. She is the recipient of the Schomburg Scholars-in-Residence Fellowship, Woodrow Wilson Foundation Career Enhancement Fellowship, Stanford Humanities Postdoctoral Fellowship, Mellon Summer Research Grant, and the Robert W. Woodruff Library Fellowship. Her research interests span the 19th-21st centuries, from Harriet Tubman to Beyoncé, and from poetics to performance.

Contact Dr. Colbert 

Angelyn Mitchell, Ph.D.   
Associate Professor of English and African American Studies
Founding Director, African American Studies Program, 2003-2013

Dr. Angelyn Mitchell is an associate professor in the Departments of English and African American Studies. Her teaching and research interests are in African American literary and cultural studies, African American Studies, race and representation, race and politics, African American music, African American history, slavery in the US, the American South, contemporary black women writers; gender and racial politics, Black Feminist Theory, Women’s and Gender studies, and American Studies. She is a recipient of the Georgetown College Dean’s Award for Excellence in Teaching (2015).

Dr. Mitchell is an expert on the works and life of Nobel laureate Toni Morrison. She has lectured nationally and internationally on Morrison’s works and has conducted seminars for audiences ranging from high school teachers to international scholars. She is also a founding member and past officer of the Toni Morrison Society.

Dr. Mitchell edited Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present (Duke UP, 1994), the first anthology to chronicle twentieth-century African American literary and cultural criticism. She is the author of The Freedom to Remember: Narrative, Slavery, & Gender in Contemporary Black Women’s Fiction (Rutgers UP, 2002), a study of novels written by black women about slavery. She is also the co-editor of The Cambridge Companion to African American Women’s Writing (Cambridge UP, 2009), a collection chronicling the literary history of Black women writers.

She is currently completing a book entitled, Toni Morrison, Whiteness, and the Politics of Race. Her next book projects include: “Three Transformative Years: A Racial Biography of 1963, 1965, and 1968 and Performing Activism: Lena, Eartha, and Nina. 

Dr. Mitchell founded Georgetown University’s African American Studies Program in 2003 and served as its first director from 2003-2013. She currently directs the Minority Mentoring Program, a program for Georgetown undergraduate students of color who are interested in becoming professors.

She has served as a consultant and advisor for diversity training, inclusive teaching, and curricular reforms.

Contact Dr. Mitchell

Affiliate Faculty